The Cannes Film Festival is underway! Which means I get to spend my time on the internet seeing how some of my most anticipated films of the year are received by critics and also that I get to look at pictures of some of my favorite people!

To the right is Jia Zhangke - director of 24 City with his muse Tao Zhao and Joan Chen. 24 City like much of Jia’s recent work looks at a China in transformation. And like his prior work it blurs the ever-changing line between fact and fiction, as he explained at the film’s press conference:

China is going through a huge transformation as it makes the transition from a planned economy to the free market. I really wanted to make a film about this reality, this new influence on people’s lives. I began by filming about a hundred interviews with workers. Then, I asked myself about the idea of combining the two genres: having a documentary part followed by a fiction part. Isn’t that the best way to get information full of the depth necessary to speak of History with a capital H?”

Here’s another photo from the film’s Cannes premiere along with some stills from the film:

There’s already some buzz about Jia’s 24 City winning the Palme D’Or…

There’s also lot’s of media out and about from the festival, here’s a bunch from 24 City’s premiere, press conference and interviews:

to watch a clip from the actual film!

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One Response to “Film 24/7 at Cannes Film Festival : Jia Zhangke’s 24 City”

  1. [...] Cannes continues on and yesterday saw the premiere the latest by the Dardenne Brothers, Lorna’s Silence. The brothers (to the right) from Belgium are best known for their realist and disorientating visions of working people: Palme d’Or laureates for Rosetta in 1999 and L’Enfant (The Child) in 2005, Jean-Pierre and Luc Dardenne return to Festival Competition with Lorna’s Silence. The filmmaking brothers have also served as Presidents of the Cinéfondation and Short Films Juries (in 2000) and of the Caméra d’Or Jury in 2006. In their latest feature, they take another plunge into their hometown, Liège, Belgium, to explore the character of Lorna, a young Albanian woman drawn by love into a sordid plot. The predicament will quickly take on tragic proportions, and the weight of silence will become increasingly heavy to bear. [CANNES] [...]

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